Wood and Acyrlic - Shou Sugi Ban 440Hx300Wx140D

This series of works ‘Invisible Cities’ is an opportunity for me to dive into traditional techniques of carving and sculpting as a vehicle to explore human condition, to reflect on ephemeral existence, to express my believe in beauty. Invisible cities series is an invitation to the viewer to join me in a journey beyond seen material into the realm of uncanny possibility.

Valentin Tinc - born in Transylvania. My interest lies at the boundary of art and design. I am drawn toward 3D and object making. I create a point of difference with the furniture and objects I design, hence the ‘Anima’ range, asymmetric outdoor furniture close to sculpture. I have a strong background in industrial ceramics. I really enjoyed all the processes from prototyping to casting and glazing and now, I have a collection of ceramic projects. This series of works ‘Domestic Bliss’ is an opportunity for me to dive into traditional techniques of carving and sculpting as a vehicle to explore the human condition, to reflect on ephemeral existence and to express my ideas of beauty. My sculptures are an invitation to the viewer to join me in a journey beyond seen material into the realm of uncanny possibility. I draw my inspiration from African Art, Maya and Inca stone carvings, modern 20th century sculptors and most of all primitive artefacts and timber structures from Maramures, my homeland. Fire as an artistic tool. Fire has brought civilization to the shape we know it today. I cannot think of another natural element, that when harnessed, can change our life more than fire. Burned wood has a silkiness and a texture impossible to reach otherwise, using fire brings back childhood memories and places my artistic intervention into a cultural perspective. Engaging fire as a shaping tool brings back the artistic action to the primitive, magical time of meaningful connection between mankind and the universe

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